Vivek Shraya asks: how did the suffering of marginalized artists become so marketable?
Men have no friends and women bear the burden
Dayspring, from Anthony Oliveira
“I am a woman and I am fast.” On the racist and cissexist underpinnings of the IAAF’s decision on Caster Semenya.
wow seasonal allergies exist because urban environments planted exclusively male, often cloned, plants for the last 70 yrs since they're "litter-free", trading the biome's female seed pods &c for excess allergenic pollen. patriarchy is literally ecological https://t.co/xPs4mFTwn9
— sarah d'adamo (@smdadamo) May 3, 2019
nîpawistamâsowin: We Will Stand Up – Lindsay Nixon reviews the new documentary by Tasha Hubbard
Just transition means returning Indigenous land – but that might look different than you think
An interview with Carmen Maria Machado
Nail art is bigger than ever – why aren’t Black women getting any credit?
“All we have is the present moment, the emergent life that we create together. What would it mean if we said “I’m sorry” more to each other? If we were braver to face injustice, not just the injustice that we experience but the injustice that we do to others? If we made space for everyone to be held in their precarity: victims, perpetuators, and bystanders?” This week we published Repair, by Gwen Benaway – it’s such a powerful piece of writing, please read it if you haven’t yet.
