CALL FOR SUBMISSIONS: FUTURES

January 21, 2016

The sixth issue of GUTS magazine will take on the topic: FUTURES. Please send us a short pitch by February 19.

Feminism makes soothsayers of us all. As an assemblage of movements dedicated to actualizing change, feminism is always imagining, reevaluating, and grappling with potential futures. The future is where dreams become realities, a possibility that inspires action and begs important questions. What conditions do we want to live in, what realities do we want to leave behind? What tools will help us get there, and how will we develop and use them?

We guess at the future and its limits: will robots learn to raise our babies? Will that change our social relations? Are gender, race, and class identities we can (or should) transcend, and what would that even look like? Once we dismantle patriarchy, what are our next steps?

We aren’t interested in definite conclusions about what the future will look like: everyone imagines it differently. To look forward to the future with confidence is a privilege predicated on the structural conditions of the present, conditions that not everyone shares. Race, class, ability, sexuality, physical and mental health, gender, and other factors are intimately bound up with our relationship to time, how it passes, and what we imagine fate will bring to us. What do you see when you imagine the future?

For this issue we want to think about how we, collectively and individually, orient ourselves toward the future: how we plan for education, work, partnerships, celebrations, children, retirement, death. This involves interrogating the presumption that we are makers of our own futures, a myth that can be both demoralizing and anxiety inducing. We welcome pieces about practising self care while thinking about the big picture, as well as strategies for living in the moment and whether it’s possible to find politics in doing so.

We also want to think about different movements’ visions for the future, and what’s being done to amplify and dismantle different voices and ideas; we want to hear about how the systems that shape our lives are changing and what they might end up looking like. We want to hear about the imaginings you relish, the possibilities that fill you with cackles and glee, the mantras that get you through the day.

 

Possible topics might include:

  • Indigenous futurism
  • Land rematriation
  • Afrofuturism
  • Undoing cis-sexist healthcare
  • Family planning / polyamory / raising feminist children / communal living strategies / beyond the couple and nuclear family form
  • Towards anti-oppressive languages
  • Ethical allyship
  • Fortune telling / astrology / witches
  • Naturopathy
  • Aging
  • Death and existentialism / anti-futures
  • Addiction
  • Living with debt  
  • Access to digital archives / privatization of the internet
  • Practising self care + facing grim futures
  • Imagining sustainable economies / ecological futures / next steps after COP21
  • Future food(s)
  • Environmental and labour movements; are they oppositional?  
  • Feminist conceptions of utopic or dystopic futures (limitations and/or possibilities)
  • Post gender futures / patriarchy after capitalism
  • The future of work / postwork societies / sharing economies  
  • Reproductive technologies / automation of productive and /or reproductive labour

GUTS accepts literary essays and reviews, long form journalism, interviews, letters, and fiction. We also encourage the submission of images, videos, comics, infographics, photo essays and new media relevant to our theme. Please look over our past issues to get a sense of the kind of work we’re looking for.

Submit a short pitch (max 300 words) describing your proposed project no later than February 19, 2015 to submit@gutsmagazine.ca. We are happy to consider quickly written and casual proposals, but please include a link to or copy of a writing sample that you feel adequately represents your work.

Final submissions (500-3,000 words) will be due on March 24, 2016.

Compensation will be provided for contributors selected for the issue.

For further information about the submission guidelines, please email us at submit @ gutsmagazine.ca.

Image inspired by this photo

Recommended

Leave a Reply

Your email address will not be published.

The Latest

Inferno of Bodies

Thank you for joining me for this edition of I Saw Some Art. Let’s address a critical issue upfront: Palestine will be free. Social media platforms were recently inundated with images depicting demonstrations in major Canadian cities advocating for Palestine...

What is Trans Justice?

In a moment where legal institutions are stripping away trans rights in the US, trans people have started to conceive of trans futures as an alternative way of promoting justice for their communities. Trans futures are a transformative project wherein...

just fem things Podcast: Protest

GUTS partnered with the just fem things podcast to bring you this special episode for REVENGE. This episode of just fem things was written, produced, and hosted by Toronto Metropolitan University English graduate students: Kevin Ghouchandra, Chloe Gandy, and Waleed...

Rape Revenge, a Regenerative Reparation

By Celeste Trentadue, Shadman Chowdhury-Mohammad, Sana Fatemi and Sylvana Poon Trigger Warning: The following article discusses the topic of rape and references accounts of sexual assault.  At the beginning of the 2021 school year, there were numerous reports of sexual...

I Saw Some Art

I don’t give a fuck what you think about me / And I don’t give a fuck ’bout the things that you do / And I don’t give a fuck what you think about me, what you think about me...

Take Back Bedtime

By Robyn Finlay, Christina McCallum, Alina Khawaja and Nadia Ozzorluoglu In an age of work-from-home, Zoom school, and digital socialization, boundaries between being on-the-clock and off-the-clock diminish while screen time skyrockets. Thanks to the COVID-19 pandemic, working, exercising, sleeping, socializing,...

A Cure for Colonialism

How many times have I resolved to get my life together, straighten things out, get back on track after a hard day, bleak winter, an indulgent holiday, or a bad breakup? At this point, I’ve lost count. I am certain,...

The Umbrella

Richard brought a painting home. It was a painting of a man holding an umbrella. Or, he wasn’t holding an umbrella. It was a painting of several men falling from the sky like drops of rain. None of those men...